Rucha Gujarati: Non-fiction shows are easy money and less hard work

She is cute, bubbly and forever smiling. Rucha Gujarati, who took a year-long-sabbatical post her wedding, recently made a comeback with a grey character in Sony Television’s Saas Bina Sasural. But she asserts that the real Rucha doesn’t have a mean bone in her entire body and firmly believes in the policy of live and let live…

Here’s getting candid with the daily soap actor who talks wholeheartedly about her professional life, but carefully evades questions on her personal life…
What is easier – a positive or negative character?
I think both have pros and cons. Yes, I enjoy playing positive, but it’s a lot more fun to do a negative role. There are lot of shades, plus it’s an opportunity to show your talent and versatility because i get to play with my voice, tone, expressions and eyes. So i enjoy playing negative more.
What’s the one meanest thing you’ve done in your entire life?
(Laughs) I am totally opposite to the character of Kiaa in Saas Bina Sasural, if you compare me to my onscreen role. In reality, I can’t recall being mean to anyone like that. And plus I am a strong believer in karma: What goes around comes around.
Fiction or reality – what kind of shows do you prefer?
Hmmm… I enjoy non-fiction more as it’s easy and fast money and less hard work. Fiction is also fun to do, but doing reality shows is much easier.
Is your track in Saas Bina Sasural coming to an end?
Now that’s not something I cannot tell you. There is huge drama coming up in the show now. There will be a turning point, but Kiaa abhi kuch bolegi toh uske kia-karaye pe paani fail jaayega.
Do you think the show’s TRPs have increased because of you?
It’s a team effort; I can’t take the whole credit if the TRP has gone up.
You are making a comeback after a year – how does it feel?
I have been working non-stop. So whenever I get a break I take it as a welcome change and make the most of it. I totally enjoyed my sabbatical, travelled a lot and had fun.
How is married life treating you?
It’s been good and going on, but I really don’t want to comment on my personal life at this moment.
Would you say your husband is supportive when it comes to your work?
There’s a lot of support from the other side (husband), so it’s easy to manage both work and home. Television has been my love and it’s great to come back. And I feel Saas Bina Sasural was an apt way to make the comeback.
Was it a conscious decision to do supporting roles post marriage?
I am always open to lead roles. Here also I am almost playing a parallel lead in the serial. It’s a challenging role. It’s not about playing the lead. It is more on how vital or important your track is. If my track is creating a change or difference in the show, then that’s what matters.
Long ago TV shifted from the typical saas bahu serials. What kinds of roles are you looking for?
First I want to give television credit for bringing in so much variety. I have always tried to do different kinds of roles and that’s a conscious effort. But now i want to try comedy. I’m looking forward to something comical that can bring a smile to people’s faces. Sony has a lot of shows like that. Or I’d opt for an anchor-based show.
Bollywood stars are all over television – do you think they are encroaching on your space?
It was always happening. The only difference is that nowadays it’s highlighted a lot more. Television today is as big as the movies. TV is running on a grand scale with the number of channels these days. If you ask me, creativity is all that matters on the big or small screen. When Amitabh Bachchan hosts a KBC, it is a huge responsibility. A lot of talent and hard work goes into making a show like that. And nothing comes easy.
What is the atmosphere like on the sets of Saas Bina Sasural?
My co-actors are very cute and humble. I am enjoying every moment working with them. It’s a very jovial and fun loving atmosphere, which is very important for me. I look forward to the shoot every day. Aishwarya and I are very professional while working. And I am really grateful to Optymistix, Vipulji and the creative team for giving me such a great character to play.

Filmfare Awards 2011: Ranbir Kapoor, Vidya Balan win Best Actor Awards

Zindagi Na Milegi Dobara, Delhi Belly, The Dirty Picture and Rockstar garnered multiple awards

The 57th Filmfare Awards were announced yesterday (January 29) at Film City with Ranbir Kapoor and Shahrukh Khan as hosts. Ranbir’s film Rockstar went on to win five trophies – including Best Music for AR Rahman, and Best Actor in a Leading Role (Male) and Critics’ Award for Best Actor for the Kapoor lad. Vidya Balan didn’t have the same luck. While she walked away with the Best Actor in a Leading Role (Female) Award for The Dirty Picture, Priyanka Chopra bagged the Critics’ Award for Best Actress for her performance in 7 Khoon Maaf. Zindagi Na Milegi Dobara, which has not been favoured much at other award functions so far, emerged the top winner with seven trophies – both the popular and critics’ Best Film awards, Best Director for Zoya Akhtar, Best Dialogue and Best Actor in a Supporting Role (Male) for Farhan Akhtar, Best Choreographer for Bosco-Caesar and Best Cinematography for Carlos Catalan.
After a long time, the Lifetime Achievement Award went to an actor known for portraying more supporting roles than lead roles – Aroona Irani. Meanwhile, Delhi Belly returned a winner too with four awards – Best Screenplay for Akshat Verma, Best Debutant Director for Abhinay Deo (looks like everyone is happy forgetting about Game), Best Editing for Huzefa Lokhandwala and Best Art Direction for Shashank Tere.

Rafeeq Ellias: Chandan Roy Sanyal is a mix of Woody Allen and Charlie Chaplin

Photographer Rafeeq Ellias dons the director’s hat and enters the world of feature films this week with the release of his first movie, Love You To Death

An addition to the new crop of directors, Ellias insists that there’s nothing called a ‘mindless film’, which is why we think he’s had no qualms in coming up with a Hinglish comedy flick that’s nothing less than a roller-coaster ride between Chandan Roy Sanyal and Yuki Ellias- the protagonists. A tête-à-tête with the calm and composed Rafeeq takes us through the creative journey he has embarked on and helps us get a fresh insight into the cluttered place we call Bollywood…
Tell us something about your first feature film…
We don’t have stars, we have actors in LYTD. My daughter Yuki, who stars in the film, has studied theatre in Paris for two years. Also, I’ve known Chandan (Roy Sanyal) for years now. I really like him as an actor. I think this guy is made for cinema. He has outstanding comic timing. There’s a Woody Allen and Charlie Chaplin in him at the same time. This movie is like a tabloid you read every morning, where ordinary people do extraordinary things. And extraordinary not in good ways (laughs), but the movie is extremely light-hearted and funny.
What are the challenges you faced while directing Love You To Death, considering you’re new to this industry?
When I started talking to people, nobody was interested in reading the script, everybody wanted to know who’s starring in the film. Everything was a challenge, because it’s one thing to shoot stills and another to make a feature film. Also, when you make a feature film, you are creating a whole scenario and that’s the challenging part. No matter how much I calculated and estimated the complexity, I thought this would turn out to be a highly compact film, but it turned out to be one of considerable scale. We shot a scene in the heart of the city at Horniman Circle at night where our lead couple are driving in the car and three people come on a motorbike and attack the car. So we smash the windscreens, we shoot with multiple and high speed cameras to capture the glass breaking. Securing permissions, logistics and the size of the crew were things that I really had a tough time managing…
How much has your photography experience helped you in making this film?
Enormously – as a still photographer, you really care about the frame. It always excited me to become a movie cameraman. I think cinematography takes your still photography skills to another level.
So did you enjoy the madness behind filmmaking?
Oh yes,  it’s seemingly crazy and chaotic, but within that chaos there is a method and if that method is not there, you are sure to bust up tons of money. It’s like an industry on the move. The technological change enables to access a lot more than we ever could and I think it’s a fantastic time to make films.
What kinds of stories inspire you?
I go through different phases .There was a time I was way too serious. These are times when I prefer to be light-hearted and I think being light-hearted with an undercurrent of seriousness works much better for me.
Photography, filmmaking…what next?
More films and still more films. Time is running out for me!